Studying Semiotics of Components Emphasized in Forbidden Iranian Cinematic works

International Journal of Social Communication Sciences

مقاله 3، دوره 02، شماره 04، اسفند 2012، صفحه 23-28   

نوع مقاله: Scientific-research

چکیده

The main goal of current research is to address semiotics in components emphasized in Iranian cinematic works after the Islamic revolution. This study uses semiotics method and statistical community includes all forbidden cinematic works in Iran after the Islamic revolution of Iran. Since this is a qualitative study and emphasizing that this research uses a semiotics method and focuses on representation theory, it is sufficient to select three works available in data resources to achieve research goals. To this end, we have chosen three works that were prominent in international awards and were mostly considered by domestic and foreign critics and analysts, including “The Wind Will Take Us Away” by “Abbas Kiarostami”, “The Red Gold” by “Jafar Panahi” and “The Iron Island” by “Mohammad Rasoolov”. This research obtains the necessary data using semiotic systems such as video, animation, verbal linguistics, written linguistics, non-linguistic phonology and music from the work and simultaneously analyzes them with regard to semiotic frameworks and by focusing on synchronization approach in text analysis and using  “De Sausur’s”, “Bart’s and Hall’s” theories. According to findings it is clear that component representation manner creates sensitivity and problems for a work and pure components are not usually the reason for detention of a work, except specific components such as sex or violence. On the other hand, findings indicated that mythoclasm in such works is critical and leads to its detention.

کلیدواژه‌ها

Semiotics؛ cinematic work؛ Myth

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